2025 – Sediments
Chemigrams: Experimental analog photography on silver gelatin paper
Fine art photography printed on Hahnemühle cotton paper
Dimensions: 30 × 40 cm
Edition: 1/7 + 2 A.P.
Signed and numbered on verso
_
From the depths of the paper,
the image rises like sediment from a vanished sea.
Each stain breathes — slow, mineral, ancestral.
Between corrosion and birth,
the matter whispers its own becoming.
_
The series Sediments was born from the desire to listen to photographic matter in its slowest breath.
In these chemigrams, gesture withdraws to make space for reaction — for the secret dialogue between emulsion, light, and time.
The images emerge like organic remnants, geological fragments, traces of invisible processes: they do not depict, they reveal.
Color becomes earthy — brown, gold, copper — conveying a sense of return to origin, to a ground still warm with transformation.
Each surface is an alchemical site where dissolution gives birth to new forms, where accident becomes language.
Sediments is a meditation on impermanence and the memory of matter: what remains after the passage of time, what time itself leaves as a trace of life.
Part of an ongoing exploration into the autonomy of silver paper material.
_
2024 – Luminous Wrecks
Chemigrams: Experimental analog photography on silver gelatin paper
Fine art photography printed on Hahnemühle cotton paper
Dimensions: 30 × 40 cm
Edition: 1/7 + 2 A.P.
Signed and numbered on verso
_
A series of direct interventions on photosensitive paper where light and chemistry generate spontaneous forms — wrecks of images born from the dialogue between time and matter.
Each work is an alchemical sedimentation: traces of gold, red, and black emerge as remnants of a luminous metamorphosis.
_
On the photosensitive paper, light and chemistry converse as opposing yet complementary forces.
By intervening directly on the surface, I allow the material to react, transform, and oxidise.
Each trace and colour is born from an unpredictable encounter — light wounds, time deposits, chemistry leaves behind fragments that seem to surface from a memory’s depth.
Gold, red, and black evoke combustion and rebirth: an inner geology where the image does not represent, but emerges.
Part of an ongoing exploration into the autonomy of silver paper material.
_
